Tuesday, 5 October 2010

Miss me?

Heave an hours-long sigh of relief, my Faithful, for I am not dead, nor am I unable to type for your amusement and continued edification. I have been abroad, often without phone reception or access to the internet, and my enforced separation from these facilities has been strange and wonderful. And at times slightly unpleasant.

Even before my travels began, however, I was aware that my desire to blog has been sluggish at best, and over the past weeks I have spent some not insignificant time musing over my writing. Not to get too spiritual at this early stage of what promises to be a scroll-heavy edition of LLFF, but my psychological goal has long been to become as self-sufficient as possible. Like most people, I need and thrive on human contact, and have a deeply-held belief that love is all we need. I am not aiming for some sort of hermetic existence atop a girthy Tibetan telegraph pole. However, true love is truly selfless, and doesn’t work too well if one half of the partnership is constantly craving attention, affection or none-too-subtley pointing out that the other person owes them a present because she bought them that T-shirt last week and you haven’t even worn it yet, and for fuck’s sake how many times have I asked you to please phone me if you’re going to be late?

And release.

So. Yeah. I know that love should be unconditional, and, like millions of others, I know that in the past I’ve sometimes struggled with that. After much thought over the years, I've reasoned that the best way to be able to give unconditional love, whether to friends, family or lovers, is to need them as little as possible. I am about six tons of cherished possessions away from being a Buddhist, but ideally, I’d like to be fairly zen about this whole life malarkey, and work towards needing less, not more, the idea being that the less you need, the more you are free to give.

Which is where the blog comes in. Is it right to write? If it is informative – yes. If it brings pleasure – yes. Clearly I don’t blog for money, but I still receive two rewards: the immense satisfaction and flow I gain from the act of writing, the decision to structure a sentence like this (and not like that), the clarity and stability I feel having recounted an incident in black and white. And secondly, the flush of gratification I receive when I discover that my efforts have brought others pleasure or support.

BUT.

If I'm going to be serious about self-sufficiency, shouldn't I fight this urge for third party approval, and take the decision not to write at all? Shouldn't I conclude that the very nature of blogging cultivates a needy side of me from which I should be moving away? I thought that I should.

But then I thought of all the wonderful stuff we'd never have witnessed if a desire for appreciation was unacceptable. All the plays and paintings, poems, programmes, companies, children, families, restaurants, songs and pizzas that might not have come into existence if financial remuneration was the only possible reward for effort, if humanity's enjoyment of recognition vanished altogether.

The experience of choral singing is meditative, transformative, but the surge that follows when the audience appreciates your sound is another rush altogether - not more pleasurable than the performance itself, but nonetheless a huge part of singing, one which makes the night of a concert so strikingly different to a rehearsal. Would I still go to choir practice if I could never sing in front of an audience again? Probably not, but not many people would think that's weird. You join a choir to sing - and to be heard singing. Only a few people would, on learning that you are in a choir, conclude that you're an attention-seeking spotlight-whore. But choose to write and publish your work on the internet, and the implication is that you think you've created something worth others' valuable time. There is a question that's asked when any creative output is put in the public domain: 'Do you think this is good?' And if that question is left unanswered, it hurts. Some performers say they don't care what others think. I think they're talking out of their asses. Anyone who puts work out there, hangs it in a gallery, plays it onstage, creates and shapes a young mind, offers themselves to the lives of strangers - if you do that, you care. You need.

Before I went to Morocco, I went on a one-day travel writing course, which was immaculately structured and very helpful, in that it made me decide that I do not under any circumstances want to be a travel writer. The hardest thing about it was that we had to do four short written exercises throughout the day. After the group of around 25 people had finished the first written exercise, I sat, heart in mouth, as the course leader selected who would read – and I wasn’t picked. No one heard my astonishingly original and hilarious efforts. I was livid. Mystifyingly – or rather, demonstrating vast social intelligence – others seemed to feel remorse when they were picked and, like true Englishmen and women, they carefully indicated that they were embarrassed or uncomfortable to be in the spotlight. I did my level best to seem relieved not to have had to share, but as my second and third efforts also went unwitnessed, I became more and more desperate to be heard. I was finally selected to share my attempt for the fourth and final exercise, the last person out of the entire group to read aloud, only a couple of minutes before the workshop’s end. After hours of anticipation, the hoped-for laughs I received for my work were gratifying and immediately internal order was restored, the butterflies went back to their locker and my heart rate returned to its un-attention-seeking-nightmare levels.

That night I went to stay with my mother, and read her the three exercises I’d written that hadn’t been heard. She said I was brilliant. I was fully aware that a) she is not objective and b) I have my moments, and it was all OK.

I will be frank: I want to write and I want to be read. Does that make me needy? Yes, but no more than anyone else who puts their time and effort into a project, a baby, that doesn't give them financial reward. And in my defense: I could be needier. I could be trying to be famous, writing bad chick-lit and living on a permanent diet. That's not what I want. I want to carry on trying to put words together in an order that makes me proud, and I want to receive recognition for any pleasure my hard work brings to others.

To conclude this absurdly overlong and introspective introduction: Lost Looking For Fish will go on. I've missed it while I've been away – not just the praise, but the process. And if one or two of you are still this side of comatose and are kind enough to tell me I rock every now and then, I’ll be happy as a lamb in a field full of tussocks on a sunny day.

On to where the hell I’ve been. Morocco has been a fantastic break. I flew out two Fridays ago, and went to an unexpectedly swanky hotel about 45 minutes south of Marrakech, where I felt like I should wear floaty dresses, light candles and be filmed by Zeffirelli singing songs about love in a plaintive but effortlessly beautiful folk voice while playing some sort of north African lute. Instead I wore floaty dresses, did yoga, read books, ate my own bodyweight in couscous and discovered an hitherto unknown penchant for Moroccan rosé.

My true Faithful may remember that I went on a yoga holiday last June to Dahab in Egypt, where I discovered upon my arrival that no one else had had the foresight to sign up for the same holiday, and that I was thus going to have around four hours’ private yoga tuition each day, just me and the lovely instructor. In between classes, I was left to my own devices, and spent my time lounging, reading, snorkelling, scubaing, horse-riding, shopping, battling with local internet cafés and climbing Mount Sinai by night.

This year was somewhat different, and for ‘somewhat’, read ‘a bit meh’ and for ‘different’, read ‘by comparison’. I meeeeeaaaannnn, the people were nice, the yoga was stretchy, the pool was glorious, the hotel was far better than I deserve, my books were fantastic but… it turns out that I am not one for set meals with 24 people split up into three groups of eight, seated round one of three rectangular tables for breakfast, lunch and dinner every single day, plus four hours of yoga together, plus nowhere to go outside the hotel, no sea to swim in, no horses to ride along the beach, no internet cafés, no internet, no cafés. I slept a lot, I relaxed, I even think some people may have enjoyed my company, and I feel rested and grateful, but I won’t be rushing back. The routine made me rebellious and by the end I had lost interest in mealtimes and yoga, desperate to assert my independence by doing the only thing I could think of: not joining in.

Oh but it wasn’t bad, it really wasn’t. The sun shone, I went brown, there were some absolute gems of people there – 22 women and 2 men with an age-range spanning five decades from twenties to seventies, a male/female ratio which inevitably descended into discussions about the topics women so often discuss when left to their own devices: periods, the menopause, tanning, biological clocks, raising children and the mirena coil. I spent some time imagining how the holiday would shift if five or six single, heterosexual men arrived, and envisaged games of waterpolo ruining Margaret’s laps in the pools, cheers from makeshift boules games upsetting the meditation sessions on the sun terrace, late night drinking games distracting many of the group’s less committed members from their 7am yoga practice the next morning. As it was, one of my principal bonding conversations involved a chat with a mother and daughter about how the woman with the world’s longest fingernails wipes her bottom.

Most people were very well behaved, and it was often left to one fantastic character called Kay to provide the hilarity. In her late forties, vocally somewhere between Frances De La Tour and Roseanne Barr, she was sorted and straightforward during the day, but a few glasses of wine down and she transformed into one of the most fantastically belligerent women I’ve ever had the pleasure of meeting.
“I don’t mean to make a scene,” she slurred gently on our second night, having made a mid-dinner trip to another table, “but everyone else is very dry. I know it's awful, but we definitely have the best table,” she emphasised, her voice rising an octave or so. “And I think we would do very well if we could just do a little wee, go on, everyone in their chairs now. Mark your spot and then no one else can sit here tomorrow. Go on. Just a few drops – you’ll thank me later, I promise you.” I never want to party without her again.

Then after a week, a short taxi ride into Marrakech, the pink city, a place I’ve wanted to visit for a very long time, a place I’m glad I’ve now seen, a place I won’t be hurrying to visit again. Wow I’m sounding like a grump. I had a great time. It was fascinating, very different to expectations and I could have stayed longer. But did I like it? Not exactly. The divide between touristville and normalville was so harsh – the souks were 3% functioning market and 97% get-your-hands-on-the-Western-dollar desperation – Times Square without New Yorkers, Leicester Square without the cinemas. I felt guilty for perpetuating it, but not so guilty that I wasn’t able to select so many of their wares that I had to buy another suitcase to get them all home. We had a great trip through the new town, Gueliz, where the real Marrakechis live, the ones who have a life other than that portrayed in SATC2. But the expensive restaurants are all full of white faces, sweating men from Bournemouth stuff dirhams into the bra tops of bellydancers in swanky bars that serve pink Champagne at £50 a bottle, while a few minutes down the road, veiled women sit outside tourist attractions using their cute kids as bait. I guess there’s the same mix of wealth and abject poverty in any other city, but the tourist market is one huge whopping part of their economy and it felt a bit gross, like holidaying in a theme park, escaping to my luxury air conditioned riad every night while the ride's staff just carry on living in the Pink Kingdom, never able to take off their uniforms.

That said, who am I to say their life isn’t fun? Maybe they’re having a whale of a time. I guess I often felt pretty uncomfortable – the women wouldn’t look us in the eye, while the men muttered obscenities under their breath while we walked by, desperate to woo us into their shops, angry when we ignored them, unbearably obsequious when we didn’t. I can't blame the girls for being pissed off - I'd be livid if London was 95% full of gorgeous women that all the men leer over while ignoring me. Oh.

Anyway. I can’t deny I found the attention fun for the first hour, my daily experience in Marrakech being the exact opposite of my life in London: I was getting so much male attention it was almost embarrassing, but when their hands started brushing against my ass, I quickly began to feel a bit sick about the whole thing. I’d been warned about this by other visitors, and wore my (blonde) hair back and up so as to stand out a bit less, but no matter what I did with my hair, my ass was, as always, shall we say, a ‘feature’, and on my final night as Trace and I wandered round the main square I was almost in tears, as every few seconds, a complete stranger would violate my dance space and lightly touch my buttocks as he walked by and disappeared into the crowd. Arguably, I should have chucked on a birka and been done with it, but there was a part of me that felt that would have been a capitulation that'd assist those people who say rape victims who wore short skirts were asking for it. Long sentence. Sorry. It's late and I'm out of practice.

Anyway. It was interesting. Other points of note:
  • Within a few hours of arriving in the city, Trace and I were in a local spa having a reflexology foot treatment, and I was amused to notice that the pan pipes were playing ‘Speed Bonny Boat’. You can take the girl out of Scotland…
  • Moroccan horses stop at “Woah” too. I noticed no other Arabic/English convergences.
  • Another day, another spa experience – Tracey and I went to a hammam for a steam and scrub, and were sitting semi awkwardly in our bikinis in the treatment room, waiting for further instructions, when a brusque woman with limited English came in, pointed at my boobs and said, “Off.” Clearly it was to be a topless treatment. We complied, lay down on an L-shaped bench, Trace along one wall, my head perpendicular to her feet. Another woman came in and started to rub black soap oil into Tracey’s front. “Tournez,” she barked. Trace slithered over onto her belly. I tipped my head back over my right shoulder to see what was going on, precisely at the moment that the lady gripped the lower hems of Tracey’s bikini bottoms and firmly jerked them up, giving a professional but unexpected wedgie that sent my friend giggling for some time to come.
  • Moroccans aren’t without a sense of humour although their favourite joke is fairly simple: you ask a fairly innocent question, e.g. “Can I have a bottle of water?”, “Please can we have some lunch here?”, “Can we check out?” and they look you square in the eyes and say, “No.” And you say, “Really?” and they say, “No! Not really! It is fine! Of course you can have water/lunch/check out.” And they laugh as if it is a brilliant ruse. It is a bit funny the first time it happens. After that not so much.
  • I did laugh one night though, when we were at the uber-swanky Western restaurant Foundouk, seated on the first floor mezzanine, overlooking a huge chandelier which hung deep down over the ground floor diners. The chandelier held twenty or thirty creamy wax orbs containing tea light candles, which any fool knows have a burning time of around four hours. How, I wondered, were these new candles replaced and lit every evening, when the chandelier was a good distance from any table or platform. I asked the waiter. “Nous avons un singe,” he said. “A monkey?” I said. “Oui,” he said, straightfaced. Then he laughed and showed us how the wrought iron panels in the balcony of the mezzanine slide to one side so someone can reach out and change the lights. I’m not a massive fan of animal cruelty but I’m afraid on that occasion the reality was a little disappointing.
So it was fun. It was relaxing and enlightening. I’ve learned stuff. I know now that my ideal summer getaway needs to involve the beach and, ideally, snorkelling with fish. I know that DBC Pierre’s new novel is a masterpiece, as is The Way Young Lovers Do by Van Morrisson. I laughed often and I whimpered with pain a fair bit, and I nattered away a lot and made new friends. And it was great, and I’m very glad I went and I’m happy to be home, and I don’t need much, but a bit of love every now and then doesn’t go amiss.

Now leave me alone as I have a ton of X Factor to catch up on.

8 comments:

  1. Emily A03:30

    Phew! Was starting to wonder what the hell had happened to you.
    If you need more reasons to keep writing this blog, here are a few:
    - It is part of my daily ritual, since you often upload at round about the time of the work day when I, in Canada, need distraction and amusement. Would you like to be responsible for my mid-afternoon apathy and boredom? I didn't think so.
    - You are a writer. You are good at this. And people enjoy reading what you write. So if you one day want to actually make some money from this then you have to keep DOING it.
    Pretty simple really!
    So keep up the good work! Your public needs you!

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  2. Anonymous10:55

    welcome home miss. x

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  3. I like the discussion of desire and enjoyment vs. need and narcissism.

    With the singing, you enjoy the activity and you like that other people enjoy it. But if you left it for a month would you start to doubt whether anything you had ever sung was good or whether you would still be able to sing well? Maybe with the writing you still have an inkling of doubt about your ability that you need to prove wrong by getting good feedback on a regular basis.

    I'm not saying that that demonstrates it's an unhealthy activity and you should give up - but maybe you have to work out how accept the possibility of writing badly once or twice and still enjoying it (you can probably still enjoy singing even after a concert cocks up).

    Just my 2 dhirams!

    And yes, you're an awesome writer - it's totally worth it.

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  4. welcome back!

    spelling mistake in 'Van Morrisson'

    x

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  5. Welcome Back!

    Spelling mistake in "Van Morrisson", sorry. Good post otherwise :)

    x

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  6. @EmilyA - thanks love! I really don't know that I ever want to make money again from writing, but that might change. It's a great hobby though.

    @Anon - thanks Sar.

    @Ed - a good two dirhams. I'm afraid none of this is about self-doubt, though! I don't need people to appreciate my work because I think it's not good, I just enjoy praise. I think it's an only child thing. I like to be in the spotlight and to get attention. Putting loads of effort into anything and not getting the reward of attention does not sound like my idea of fun. So I do things I enjoy (writing, singing, going to the theatre), and then I enjoy the praise I receive for writing, singing and being cultured. It's pathetically simple.

    @Simon - ach, thanks. Noted. Just checked him out on Wikipedia. His original first names are George Ivan, which got shortened to Van while he was a nipper. Every day's a school day.

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  7. What a talent! Thanks for the name check although a tad disappointed that the plain and average episode didn't make the blog - I guess you had to be there to truly appreciate the sartorial wit!

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  8. Ha! Thanks for the confidence boost, Kay. I did try to write about the 'plain and average' incident but you're one of those magical performers who truly owns the words - I just don't think I could do it justice. Is that a good enough excuse? ;-)

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